{"id":327,"date":"2022-05-10T18:21:03","date_gmt":"2022-05-10T16:21:03","guid":{"rendered":"https:\/\/resistancefeminine.com\/?page_id=327"},"modified":"2022-08-30T14:37:23","modified_gmt":"2022-08-30T12:37:23","slug":"program","status":"publish","type":"page","link":"https:\/\/resistancefeminine.com\/en\/program\/","title":{"rendered":"Program"},"content":{"rendered":"<section class=\"l-section wpb_row height_medium color_alternate\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_grid cols_1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default stacking_default\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h4>Women Resistance<\/h4>\n<\/div><\/div><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h1><strong>Program<\/strong><\/h1>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_medium\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_grid cols_2-1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default stacking_default\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2><strong>1.<\/strong>&#8211; The audience terrace of the Moonlight<\/h2>\n<p>by Claude Debussy<\/p>\n<\/div><\/div><div class=\"w-separator size_large\"><\/div><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2><strong>2.<\/strong>&#8211; Bandages (the violator is\u2026 are\u2026 was\u2026 were\u2026)<\/h2>\n<p>by Valeria Valle<\/p>\n<p>On texts of \u00abA violator in your path\u00bb of Las Tesis and texts of the contingency. <a href=\"#texto_vendajes\">(Vew text)<\/a><\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2><strong>3.<\/strong>&#8211; \u00ab Outdoors \u00bb suite, 2nd notebook<\/h2>\n<p>by B\u00e9la Bart\u00f3k<\/p>\n<p style=\"padding-left: 40px;\"><strong>I<\/strong><em> Night music<br \/>\n<\/em><\/p>\n<p style=\"padding-left: 40px;\"><strong>II<\/strong><em> Pursuit (or The Hunt)<br \/>\n<\/em><\/p>\n<\/div><\/div><div class=\"w-separator size_large\"><\/div><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2><strong>4.<\/strong>&#8211; Suite \u00ab Impacto \u00bb for piano and pots <a href=\"#note_1\">*<\/a><\/h2>\n<h4 style=\"padding-left: 40px;\">I\u00a0The night is boiling (curfew)<\/h4>\n<p style=\"padding-left: 40px;\">by Cristina Vilallonga<\/p>\n<h4 style=\"padding-left: 40px;\">II Reportage<\/h4>\n<p style=\"padding-left: 40px;\">by Nicolas Tzortzis, about testimonial texts <a href=\"#texto_reportage\">(View texts)<\/a><\/p>\n<h4 style=\"padding-left: 40px;\">III Eyes<\/h4>\n<p style=\"padding-left: 40px;\">by Esteban Benzecry<\/p>\n<h4 style=\"padding-left: 40px;\">IV Marrichihueu<\/h4>\n<p style=\"padding-left: 40px;\">by Marco P\u00e9rez-Ram\u00edrez<\/p>\n<h4 style=\"padding-left: 40px;\">V Contodosinopak\u00e9<\/h4>\n<p style=\"padding-left: 40px;\">by Ram\u00f3n Gorigoit\u00eda. For piano and electronic.<\/p>\n<h4 style=\"padding-left: 40px;\">VI Re\u00f1ma<\/h4>\n<p style=\"padding-left: 40px;\">(frontwards) by H\u00e8ctor Parra. Poetry by <a href=\"https:\/\/es.wikipedia.org\/wiki\/Leonel_Lienlaf\" target=\"_blank\" rel=\"noopener\">Leonel Lienlaf<\/a>. Translation from spanish by: Beno\u00eet Santini<strong>. <\/strong><a href=\"#texto_renma\">(View texts)<\/a><\/p>\n<h4 style=\"padding-left: 40px;\">VII The earth is your mother<\/h4>\n<p style=\"padding-left: 40px;\">by Andrian Pertout. For piano, toy piano and eletronic. From texts of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Leila_Salazar-Lopez\" target=\"_blank\" rel=\"noopener\">Leila Salazar-L\u00f3pez<\/a> <a href=\"#texto_laterre\">(View texts)<\/a><\/p>\n<\/div><\/div><div class=\"w-separator size_large\"><\/div><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2><strong>5.<\/strong>&#8211; Images 1st notebook<\/h2>\n<p>by Claude Debussy<\/p>\n<p style=\"padding-left: 40px;\"><strong>I\u00a0 <\/strong><em>Reflections in the water<\/em><\/p>\n<p style=\"padding-left: 40px;\"><strong>II<\/strong><em>\u00a0 Tribute to Rameau<br \/>\n<\/em><\/p>\n<p style=\"padding-left: 40px;\"><strong>III<\/strong><em> Movement<br \/>\n<\/em><\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"wpb_text_column us_custom_1d488117\" id=\"note_1\"><div class=\"wpb_wrapper\"><p>* Nota bene: The Impacto Suite is a work in progress. The contributions of: Gabriela Ortiz, Macarena Rosmanich, Philippe Leroux, Jerem\u00edas Iturra, Patricio Wang, Luis Na\u00f3n, Daniel Osorio and F\u00e9lix C\u00e1rdenas are in the course of composition.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><strong>Show duration: 1h30<\/strong><\/p>\n<\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_medium color_alternate\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_grid cols_2-1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default stacking_default\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h1><strong>Texts<\/strong> in use<\/h1>\n<\/div><\/div><div class=\"w-separator size_small\"><\/div><div class=\"wpb_text_column\" id=\"texto_vendajes\"><div class=\"wpb_wrapper\"><h2>Bandages (the violator is\u2026 are\u2026 was\u2026 were\u2026)<\/h2>\n<p>by Valeria Valle<\/p>\n<p>Texts of \u00abA violator in your path\u00bb by <a href=\"https:\/\/www.sciencespo.fr\/programme-presage\/fr\/actualites\/el-violador-eres-tu.html\" target=\"_blank\" rel=\"noopener\">Las Tesis<\/a> and texts of contingency.<\/p>\n<\/div><\/div><div class=\"w-separator size_small\"><\/div><div class=\"wpb_text_column texto_traducido\"><div class=\"wpb_wrapper\"><h3>Bandages (the violator is\u2026 are\u2026 was\u2026 were\u2026)<\/h3>\n<p>We are in a true oasis<\/p>\n<p>Report without hesitation, another way to fight<\/p>\n<p>Patriarchy is a judge who judges us for being born<\/p>\n<p>It&#8217;s femicide<\/p>\n<p>We are at war against a powerful, implacable enemy<\/p>\n<p>The violator is you<\/p>\n<p>And it wasn&#8217;t my fault neither was it the place where I was nor what I was wearing<\/p>\n<\/div><\/div><div class=\"w-separator size_large\"><\/div><div class=\"wpb_text_column\" id=\"texto_reportage\"><div class=\"wpb_wrapper\"><h2>Reportage<\/h2>\n<p>by Nicolas Tzortzis<\/p>\n<p>Testimony of a victim<\/p>\n<\/div><\/div><div class=\"w-separator size_small\"><\/div><div class=\"wpb_text_column texto_traducido\"><div class=\"wpb_wrapper\"><h3>Reportage<\/h3>\n<p>The policeman grabs me by the hair<\/p>\n<p>And he drags me to the van<\/p>\n<p>And they started making fun of me<\/p>\n<p>that I was going to lose my sight<\/p>\n<p>one eye less<\/p>\n<p>I have the buckshot here inside<\/p>\n<p>I looked at him<\/p>\n<p>He pointed at my face<\/p>\n<p>They point right at your face<\/p>\n<p>And you get shot, and you get shot, and you get shot<\/p>\n<\/div><\/div><div class=\"w-separator size_large\"><\/div><div class=\"wpb_text_column\" id=\"texto_renma\"><div class=\"wpb_wrapper\"><h2>Re\u00f1ma (frontwards)<\/h2>\n<p>by Hector Parra<\/p>\n<p>Poetry by Lionel Lienlaf<\/p>\n<\/div><\/div><div class=\"w-separator size_small\"><\/div><div class=\"wpb_text_column texto_traducido\"><div class=\"wpb_wrapper\"><h3><strong>Frontwards<\/strong><\/h3>\n<h5>Trepel pewma (frightened chants)<\/h5>\n<p>Startled is my heart, sister<\/p>\n<p>because evil spirits<\/p>\n<p>they have frightened my songs<\/p>\n<p>Kuruf (Wind)<\/p>\n<p>over the fields with cut down trees<\/p>\n<p>distressed<\/p>\n<p>the wind turns;<\/p>\n<p>on dust and ashes<\/p>\n<p>dragging the nests<\/p>\n<p>where the birds dreamed<\/p>\n<p>The wind<\/p>\n<p>went crazy among the rocks<\/p>\n<p>because in his ears<\/p>\n<p>no longer arrives<\/p>\n<p>the soft song of the trees<\/p>\n<\/div><\/div><div class=\"w-separator size_large\"><\/div><div class=\"wpb_text_column\" id=\"texto_laterre\"><div class=\"wpb_wrapper\"><h2>The earth is your mother<\/h2>\n<p>by Andrian Pertout.<br \/>\nTexts by Leila Salazar-L\u00f3pez<\/p>\n<\/div><\/div><div class=\"w-separator size_small\"><\/div><div class=\"wpb_text_column texto_traducido\"><div class=\"wpb_wrapper\"><h3>The earth is your mother<\/h3>\n<p>The indigenous people<\/p>\n<p>they are the best protectors of the Amazon jungle<\/p>\n<p>and the biodiversity of our planet&#8230;<\/p>\n<p>because they have spiritual and cultural connections<\/p>\n<p>intrinsic with the earth<\/p>\n<\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Women Resistance Program 1.&#8211; The audience terrace of the Moonlight by Claude Debussy 2.&#8211; Bandages (the violator is\u2026 are\u2026 was\u2026 were\u2026) by Valeria Valle On texts of \u00abA violator in your path\u00bb of Las Tesis and texts of the contingency. (Vew text) 3.&#8211; \u00ab Outdoors \u00bb suite, 2nd notebook by B\u00e9la Bart\u00f3k I Night music...","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-327","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Program - R\u00e9sistance F\u00e9minine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/resistancefeminine.com\/en\/program\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Program - R\u00e9sistance F\u00e9minine\" \/>\n<meta property=\"og:url\" content=\"https:\/\/resistancefeminine.com\/en\/program\/\" \/>\n<meta property=\"og:site_name\" content=\"R\u00e9sistance F\u00e9minine\" \/>\n<meta property=\"article:modified_time\" content=\"2022-08-30T12:37:23+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/resistancefeminine.com\/en\/program\/\",\"url\":\"https:\/\/resistancefeminine.com\/en\/program\/\",\"name\":\"Program - 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