{"id":708,"date":"2022-10-11T21:50:58","date_gmt":"2022-10-11T19:50:58","guid":{"rendered":"https:\/\/resistancefeminine.com\/?post_type=press&#038;p=708"},"modified":"2024-02-10T21:51:18","modified_gmt":"2024-02-10T20:51:18","slug":"el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura","status":"publish","type":"press","link":"https:\/\/resistancefeminine.com\/es\/press\/el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura\/","title":{"rendered":"\u00ab EL UNICO ELEMENTO FORMAL QUE TENEMOS CON UN COMPOSITOR PARA DISCUTIR ES SU PARTITURA \u00bb"},"content":{"rendered":"<p>La reconocida int\u00e9rprete afirma: Aprecio menos el arte que denuncia que el arte que sugiere. No me gustan las cosas ilustrativas ni donde exista violencia expl\u00edcita.<br \/>\nLo hace con poes\u00eda, bailando o con las frases: Y la culpa no era m\u00eda, ni d\u00f3nde estaba, ni c\u00f3mo vest\u00eda, como interpretar\u00e1 con la pieza Vendajes, de Valeria Valle, basada en el famoso performance El violador eres t\u00fa, del grupo de mujeres La Tesis, para denunciar el patriarcado institucional y la violencia de g\u00e9nero.(\u2026 los compositores usan con) libertad absoluta la cacerola, ya sea como percusi\u00f3n o contrapunto con poes\u00eda mapuche, por ejemplo.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/eloficiodehistoriar.com.mx\/2022\/09\/24\/las-cacerolas-en-las-calles-manifiestan-descontento-dice-la-pianista-maria-paz-santibanez\/\" target=\"_blank\" rel=\"noopener\">SEGUIR LEYENDO (ES)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La reconocida int\u00e9rprete afirma: Aprecio menos el arte que denuncia que el arte que sugiere. No me gustan las cosas ilustrativas ni donde exista violencia expl\u00edcita. Lo hace con poes\u00eda, bailando o con las frases: Y la culpa no era m\u00eda, ni d\u00f3nde estaba, ni c\u00f3mo vest\u00eda, como interpretar\u00e1 con la pieza Vendajes, de Valeria&#8230;<\/p>\n","protected":false},"featured_media":641,"template":"","press_cat":[16],"class_list":["post-708","press","type-press","status-publish","has-post-thumbnail","hentry","press_cat-prensa-rf"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00ab EL UNICO ELEMENTO FORMAL QUE TENEMOS CON UN COMPOSITOR PARA DISCUTIR ES SU PARTITURA \u00bb - R\u00e9sistance F\u00e9minine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/resistancefeminine.com\/es\/press\/el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab EL UNICO ELEMENTO FORMAL QUE TENEMOS CON UN COMPOSITOR PARA DISCUTIR ES SU PARTITURA \u00bb - R\u00e9sistance F\u00e9minine\" \/>\n<meta property=\"og:description\" content=\"La reconocida int\u00e9rprete afirma: Aprecio menos el arte que denuncia que el arte que sugiere. No me gustan las cosas ilustrativas ni donde exista violencia expl\u00edcita. Lo hace con poes\u00eda, bailando o con las frases: Y la culpa no era m\u00eda, ni d\u00f3nde estaba, ni c\u00f3mo vest\u00eda, como interpretar\u00e1 con la pieza Vendajes, de Valeria...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/resistancefeminine.com\/es\/press\/el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura\/\" \/>\n<meta property=\"og:site_name\" content=\"R\u00e9sistance F\u00e9minine\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-10T20:51:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/resistancefeminine.com\/resistancefeminine\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-03-a-23.01.05.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1162\" \/>\n\t<meta property=\"og:image:height\" content=\"771\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/resistancefeminine.com\/es\/press\/el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura\/\",\"url\":\"https:\/\/resistancefeminine.com\/es\/press\/el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura\/\",\"name\":\"\u00ab EL UNICO ELEMENTO FORMAL QUE TENEMOS CON UN COMPOSITOR PARA DISCUTIR ES SU PARTITURA \u00bb - 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Lo hace con poes\u00eda, bailando o con las frases: Y la culpa no era m\u00eda, ni d\u00f3nde estaba, ni c\u00f3mo vest\u00eda, como interpretar\u00e1 con la pieza Vendajes, de Valeria...","og_url":"https:\/\/resistancefeminine.com\/es\/press\/el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura\/","og_site_name":"R\u00e9sistance F\u00e9minine","article_modified_time":"2024-02-10T20:51:18+00:00","og_image":[{"width":1162,"height":771,"url":"https:\/\/resistancefeminine.com\/resistancefeminine\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-03-a-23.01.05.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/resistancefeminine.com\/es\/press\/el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura\/","url":"https:\/\/resistancefeminine.com\/es\/press\/el-unico-elemento-formal-que-tenemos-con-un-compositor-para-discutir-es-su-partitura\/","name":"\u00ab EL UNICO ELEMENTO FORMAL QUE TENEMOS CON UN COMPOSITOR PARA DISCUTIR ES SU PARTITURA \u00bb - 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